Neven Vulić, Moderna vremena on Deserter
What one notices from the very beginning when reading The Deserter is an enviable literary skill and baroque language, vivid and playful: readily recognizable Telećan’s style … With his sumptuous style, in terms of his motifs and sensibility Telećan still follows his own track, focused upon the parts of the world he’s interested in. On the micro- and macro-level of this novel his old obsessions are more or less evoked, yet some new ones also arise, in a way which is utterly pleasurable for reading.



